Everything that cultural criticism does has not undermined the ability of literary criticism throughout its long history, as it is within the scope of the latter, which has known, experienced, and mastered it. Therefore, cultural criticism is nothing more than an innovation in literary criticism, one that has not exceeded the limits of nominal innovation, with some instrumental additions that could be literary tools without any fuss or commotion.

The book examines the West’s self-image, examining how it transitioned from a self-centered West and confident in its future, to facing demographic imbalances with the rest of the world, the rise of Asian economic power, and the effects of immigration on its institutions and cultural values.

This book examines the most important theories framing international relations, their intersections, and their reference and intellectual frameworks. The international arena is constantly evolving, and the dynamics of events are constantly evolving. Therefore, the book attempts to explain the behavior of various actors on the economic, political, and cultural levels.